2249 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →
3.28Hear the crucial chromatic line
Original:
Cmaj7 → Am7 → Dm7
may have:
C → C → C.
With A7:
C becomes:
C♯ → D
So the harmony becomes more directional.