2271 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →
3.50Bluesy version
Over C-major tonic material, introduce:
E♭→E
and perhaps B♭.
But be careful:
a fully blues-inflected line may clash stylistically with clean Cmaj7 harmony.
You might simplify tonic to C6 or C7 depending intended sound.
Style should govern the harmony.