2250 / 18210 · Workshop 3 — I–vi–ii–V: Turnarounds, Standards, and Making Four Chords Do a Lot← prev⊞ allnext →3.29Rich turnaroundTry: Cmaj7 → A7 → Dm9 → G13 → Cmaj9 This is a very useful “default jazz ending that keeps going.” ← Previous3.28 Hear the crucial chromatic lineNext →3.30 Secondary dominant of vi
