464 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.6Secondary dominants in C major
The diatonic chords in C:
C Dm Em F G Am B°
Now give most of them their own dominant.
To Dm / ii
A7 → Dm
so:
A7 = V7/ii
To Em / iii
B7 → Em
so:
B7 = V7/iii
To F / IV
C7 → F
so:
C7 = V7/IV
To G / V
D7 → G
so:
D7 = V7/V
To Am / vi
E7 → Am
so:
E7 = V7/vi
We normally don't talk about a secondary dominant of vii° nearly as often because that diminished chord is unstable and not a typical tonicized destination.