BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
496 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →

12.38Secondary dominants do not have to include 7th

You may also see:

E → Am

instead of E7.

The major triad itself still contains:

G♯ → A

G♯ → A

and creates dominant pull.

But:

E7 → Am

usually has stronger functional character.

So secondary dominant can be V or V7; V7 is especially clear.