475 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.17This is the orange ring in your chart
Now the chart should make much more sense.
If the outer ring has:
C → G → D → A → E...
then dominant sevenths point toward those destinations:
G7 → C
D7 → G
A7 → D
E7 → A
and so on.
The orange chords are essentially a network of:
“Here is the dominant that points to that chord.”