10443 / 18210 · Workshop 86 — Through-Composed Solo Piano: Escaping “Head–Solo–Head,” Connecting Sections Without Resetting, and Making the Entire Performance One Continuous Narrative← prev⊞ allnext →
86.42Level 28 — false return
Begin what sounds like reprise.
Use first motif.
Then instead of continuing:
modulate
or move into interlude.
This manipulates expectation.