10435 / 18210 · Workshop 86 — Through-Composed Solo Piano: Escaping “Head–Solo–Head,” Connecting Sections Without Resetting, and Making the Entire Performance One Continuous Narrative← prev⊞ allnext →
86.34Level 21 — three-material limit
For an entire arrangement, choose only three primary objects:
A: melodic motif.
B: bass cell.
C: rhythmic accompaniment cell.
Almost everything should derive from them.
This creates remarkable unity.