BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
10512 / 18210 · Workshop 86 — Through-Composed Solo Piano: Escaping “Head–Solo–Head,” Connecting Sections Without Resetting, and Making the Entire Performance One Continuous Narrative← prev⊞ allnext →

86.111Silence can carry memory too

After an important motif:

silence.

The motif still exists mentally.

When the next section begins with a transformed fragment:

the listener connects them.

Not every continuity must be physically sustained.