BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
10402 / 18210 · Workshop 86 — Through-Composed Solo Piano: Escaping “Head–Solo–Head,” Connecting Sections Without Resetting, and Making the Entire Performance One Continuous Narrative← prev⊞ allnext →

86.1The reset problem

A common arrangement sounds like:

Intro.

Stop psychologically.

Head.

Stop.

Solo.

Stop.

Head again.

Stop.

Ending.

Even if transitions are technically smooth, the listener hears separate boxes.