10405 / 18210 · Workshop 86 — Through-Composed Solo Piano: Escaping “Head–Solo–Head,” Connecting Sections Without Resetting, and Making the Entire Performance One Continuous Narrative← prev⊞ allnext →
86.4Level 1 — melody becomes fill
Suppose the melody ends with a three-note fragment.
Do not stop it.
Repeat that fragment immediately as:
a fill.
Then transform it into:
the first motif of the interlude.
Now three sections are linked by one object.