10419 / 18210 · Workshop 86 — Through-Composed Solo Piano: Escaping “Head–Solo–Head,” Connecting Sections Without Resetting, and Making the Entire Performance One Continuous Narrative← prev⊞ allnext →
86.18Causal contrast
Good contrast says:
“Because the previous section became too dense, everything suddenly disappears.”
Bad contrast often feels like:
“Now I chose another style.”
The difference is narrative logic.