10150 / 18210 · Workshop 84 — Modulation Architecture: Pivot Chords, Direct Modulation, Common-Tone Modulation, Sequential Modulation, and Making Key Changes Feel Inevitable← prev⊞ allnext →
84.9Level 3 — tonicize before fully modulating
C:
Cmaj7
→ D7
→ G
→ back to C.
Here G is temporarily emphasized.
But if we stay only briefly:
this may be tonicization, not full modulation.