10204 / 18210 · Workshop 84 — Modulation Architecture: Pivot Chords, Direct Modulation, Common-Tone Modulation, Sequential Modulation, and Making Key Changes Feel Inevitable← prev⊞ allnext →
84.63Excellent example of reinterpretation
In C:
Fm7-B♭7 can be heard as backdoor approach.
In E♭:
B♭7 is V.
Therefore:
Fm7-B♭7-E♭
can transfer us naturally from C context into E♭.
Very useful.