10160 / 18210 · Workshop 84 — Modulation Architecture: Pivot Chords, Direct Modulation, Common-Tone Modulation, Sequential Modulation, and Making Key Changes Feel Inevitable← prev⊞ allnext →
84.19Example
Cmaj7 with top G.
Then:
Cm/G-ish or ambiguous no-3rd sonority.
Then:
E♭maj7 with top G.
The common tone disguises the tonal shift.