10201 / 18210 · Workshop 84 — Modulation Architecture: Pivot Chords, Direct Modulation, Common-Tone Modulation, Sequential Modulation, and Making Key Changes Feel Inevitable← prev⊞ allnext →
84.60Level 35 — modulation by reinterpretation of dominant
A dominant chord can sometimes be reinterpreted enharmonically or functionally toward a new key.
Most famous practical version:
tritone relationship.
G7 may be replaced/interpreted as D♭7-type dominant color.
Then choose a destination based on new function.
Be careful to make voice leading clear.