4676 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →
29.68Level 35 — introduce traditional function only at the end
Make most of the arrangement modal/sus.
Then final phrase:
Dm7 → G7sus → G7 → C6/9.
Because conventional function was absent for so long, this final cadence becomes extremely powerful.