4656 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →
29.48Experiment first, label second
Hold C.
Change bass:
G
A♭
F
D♭.
Build sparse sus-like upper structures around it.
Notice when C feels:
stable
bright
tense
or chord-defining.
This is composition practice.