4609 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →
29.1Start with the problem created by the 3rd
Take G7:
G B D F
The note:
B
tells us very clearly:
G is a major-type dominant chord.
And B wants strongly to resolve:
B → C
So the 3rd carries a lot of functional information.
Now replace B with C:
G C D F
We get:
G7sus4
Suddenly the chord feels much less directional.