4674 / 18210 · Workshop 29 — “Maiden Voyage”: Sus Chords as Stable Harmony, Parallel Planing, Quartal Color, and Hearing Chords Without Major/Minor Labels← prev⊞ allnext →
29.66Level 34 — reharmonizing a simple melody with sus chords
Take “Happy Birthday” again.
Instead of:
C → G7 → C → F...
try:
C-centered sus/pedal environment.
For example, use C pedal with:
B♭-D-F
or F-G-B♭-type suspended structures where melody permits.
The melody stays recognizable.
Harmony becomes floating.