6332 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →
45.94Mini-composition exercise
Write a 32-bar Afro-Cuban-inspired piece in C minor.
Constraints:
- choose either 2–3 or 3–2 and stay oriented
- one two-bar bass pattern
- one two-bar piano montuno pattern
- Cm as primary center
- one F7 area
- one G7♭9→Cm functional cadence
- one four-bar bass breakdown
- one montuno-only section
- one octave climax
- no more than four harmonic roots
The composition should remain recognizable even if you mute the melody.
That means the rhythmic architecture is doing real structural work.