BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
6288 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →

45.50Level 21 — melodic anticipation

Before F7 arrives:

play A.

Your ear may begin to hear the coming F harmony.

Then bass F arrives on 4& or the next phrase.

The melody predicts harmony.

We used this concept before.

Here it becomes part of groove.