6288 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →
45.50Level 21 — melodic anticipation
Before F7 arrives:
play A.
Your ear may begin to hear the coming F harmony.
Then bass F arrives on 4& or the next phrase.
The melody predicts harmony.
We used this concept before.
Here it becomes part of groove.