6258 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →
45.20Level 6 — RH stays behind the bass
If bass anticipates F on 4&:
RH does not necessarily need to play F7 simultaneously.
Try:
bass F on 4&
RH F7 voicing on beat 2 of next bar.
Now the harmony arrives in layers.