6256 / 18210 · Workshop 45 — Afro-Cuban Piano: Son Clave, 2–3 vs 3–2, Tumbao, Montuno, and Learning to Place Every Note *Around* the Clave← prev⊞ allnext →
45.18Level 5 — change harmony
Use a simple two-chord laboratory:
Cm7 → F7
We are not recreating a specific song.
Suppose F7 begins next bar.
Instead of bass F on next beat 1:
play F on 4& of the preceding bar.
Then let beat 1 breathe.
This creates propulsion.