4569 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.60Level 29 — do not overcomplicate the bridge
The half-step modal shift is already a major event.
Do not add:
tritone substitutions
secondary dominants
diminished connectors
unless you are intentionally creating a radically reharmonized version.
The original modal contrast is enough.