BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
4510 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →

28.1The basic modal environment

Think:

Dm7 for a long time

rather than:

Dm7 → G7 → C.

This is not a ii chord waiting for G7.

Here, D itself is the tonal center.

That distinction is everything.