4541 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.32Then free the bass slightly
Use:
D → A → C → D
or another modal figure.
Still no functional dominant.
The bass can become melodic while D remains home.