4535 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.26Level 11 — classic two-shape comping idea
Think of two closely related quartal voicings a whole step apart.
For example conceptually:
one Dm/Dorian quartal shape
then same type of shape shifted up.
Alternate them rhythmically.
The harmonic center stays D.
The upper color breathes.