4547 / 18210 · Workshop 28 — “So What”: Pure Modal Jazz, Quartal Voicings, Dorian Improvisation, and Building a Solo Without Chord Changes← prev⊞ allnext →
28.38Level 19 — triadic superimposition
Even inside modal harmony, triads can provide useful color.
Over D Dorian:
try:
C major triad: C-E-G.
Relative to D:
♭7, 9, 11.
Try:
G major triad: G-B-D.
Relative:
11, 13, root.
This strongly emphasizes Dorian B natural.