1042 / 18210 · Module 21 — Reharmonization: Changing the Chords Without Losing the Song← prev⊞ allnext →
21.21Diminished versus secondary dominant
To reach Dm, compare:
C → A7 → Dm
with:
C → C♯°7 → Dm
Both feature C♯.
But:
A7 gives explicit dominant function.
C♯°7 gives chromatic passing tension.
Different colors.