822 / 18210 · Module 18 — Scales and Modes for Improvisation: What to Use, When, and Why← prev⊞ allnext →
18.1Start with the major scale
In C:
C D E F G A B
Scale degrees:
1 2 3 4 5 6 7
You already know this.
Over a diatonic ii–V–I:
Dm7 → G7 → Cmaj7
all three chords can be played using notes from C major.
But the important targets change.
Over Dm7, emphasize:
D F A C
Over G7:
G B D F
Over Cmaj7:
C E G B
So the same scale becomes three different sounds because the harmony changes beneath it.