10986 / 18210 · Workshop 90 — Rhythmic Motif Development: Turning One Tiny Rhythm into a Whole Solo, Accompaniment Language, and Arrangement Identity← prev⊞ allnext →
90.87Level 71 — motif as transition glue
Old section:
melody uses motif.
Transition:
melody stops.
Chord stabs continue motif.
New section:
bass picks it up.
Now three section identities are connected by rhythm alone.