11012 / 18210 · Workshop 90 — Rhythmic Motif Development: Turning One Tiny Rhythm into a Whole Solo, Accompaniment Language, and Arrangement Identity← prev⊞ allnext →
90.113Mini-composition exercise
Write a 32-bar étude built from one primary rhythmic motif and two related transformations.
Requirements:
- one exact statement of the primary motif in first 2 bars
- one displaced version
- one augmented version
- one diminished version
- one fragmented version
- one retrograde-duration version
- one appearance in melody
- one appearance in accompaniment
- one appearance in bass
- one appearance crossing a chord change
- one appearance crossing a bar line
- one 3- or 5-unit cycle against 4/4
- at least 4 bars where motif is completely absent
- one metric realignment functioning as a structural cadence
- global climax must combine harmonic arrival with rhythmic realignment
- coda must recall the original rhythm in a slower/sparser form
The listener should be able to feel that the entire study grew from one rhythmic seed.