10930 / 18210 · Workshop 90 — Rhythmic Motif Development: Turning One Tiny Rhythm into a Whole Solo, Accompaniment Language, and Arrangement Identity← prev⊞ allnext →
90.31Level 20 — final-hit extraction
If motif ends with a distinctive long note:
use only that ending rhythm as:
comping accent
or bass hit.
Now rhythmic DNA moves into accompaniment.