9756 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.76Level 49 — one dominant then back to ambiguity
C modal field.
G7→C once.
Then remove B again.
Return sus/quartal material.
The functional cadence becomes a brief moment of clarity inside a broader floating world.