9743 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.63Level 38 — tertian → quartal defocusing
Reverse.
Begin with clear:
Cmaj7.
Gradually replace tertian voicing with:
D-G-C
E-A-D.
Keep C pedal.
Function becomes less explicit.
Excellent transition into modal improvisation.