9700 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.20Level 9 — dominant→sus
Reverse:
C9:
B♭-D-E-G.
Move:
E→F.
Now the dominant becomes suspended.
This can soften a cadence rather than intensify it.