9780 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.100Apply it to “Mack the Knife”
For a darker intro before the familiar swing statement:
avoid clear major 3rd.
Use:
open fifths
sus sonorities
perhaps quartal RH over tonic pedal.
Let the melody enter recognizable but harmonically ambiguous.
Then:
reveal the conventional major/swing world with a clear 3rd and walking bass.
The contrast will make the main arrangement feel brighter without changing the melody.