9704 / 18210 · Workshop 80 — Harmonic Ambiguity and Delayed Identity: Sus Chords, No-3rd Voicings, Slash Chords, Pedals, and Letting the Listener Discover the Harmony← prev⊞ allnext →
80.24Level 11 — sus dominant straight to tonic
Now skip the defining G7 stage.
G7sus→C.
This gives softer/plagal-ish dominant behavior.
The leading tone B may never appear.
Compare with:
G7→C.
Very different gravity.