9067 / 18210 · Workshop 74 — Rhythmic Reharmonization: Keeping the Chords but Changing Their Placement, Anticipation, Delay, Pedal, Syncopation, and Groove Identity← prev⊞ allnext →
74.34Level 17 — delayed dominant
Normally:
Dm7 → G7 at barline.
Instead:
Dm7 continues through beat 1.
G7 enters on:
2&.
Then C on next 1.
The dominant duration shrinks.
The cadence becomes more compressed.