9054 / 18210 · Workshop 74 — Rhythmic Reharmonization: Keeping the Chords but Changing Their Placement, Anticipation, Delay, Pedal, Syncopation, and Groove Identity← prev⊞ allnext →
74.21Level 10 — delay bass root across two harmonies
Try:
C bass under:
Cmaj7
Dm/C
F/C
G/C.
The bass refuses to follow upper harmony.
This creates one large tonic-centered field.
Then finally:
G7 → C.
Root rhythm becomes much slower than color rhythm.