8937 / 18210 · Workshop 73 — Transitional Harmony and “Glue Chords”: Connecting Sections Smoothly Without Over-Reharmonizing← prev⊞ allnext →
73.5Level 2 — two common tones
Cmaj7:
C-E-G-B.
Am7:
A-C-E-G.
Common tones:
C-E-G.
That transition can be nearly frictionless.
Now compare:
Cmaj7→D♭maj7.
Almost everything shifts.
Much stronger contrast.
The number of common tones strongly affects perceived smoothness.