8968 / 18210 · Workshop 73 — Transitional Harmony and “Glue Chords”: Connecting Sections Smoothly Without Over-Reharmonizing← prev⊞ allnext →
73.36Level 18 — bass bridge between styles
Suppose stride → walking swing.
Rather than abruptly changing LH behavior:
let the final stride bar gradually fill quarter-note bass notes.
Example:
beat 1: bass.
2: chord.
3: bass.
4: walking connector.
Next bar: full walking.
The LH itself morphs styles.