8960 / 18210 · Workshop 73 — Transitional Harmony and “Glue Chords”: Connecting Sections Smoothly Without Over-Reharmonizing← prev⊞ allnext →
73.28Level 13 — functional-to-modal transition
Opposite.
End:
G7→Cm.
Then remove:
B natural.
Return to:
C Dorian/Aeolian pedal.
The harmony stops “going somewhere” and begins “being somewhere.”
This is a beautiful form contrast.