8129 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.99A practical hierarchy
When improvising over a difficult chord, you do not have to think from largest to smallest.
Try:
1. Target note
then:
2. Three-note motif
then:
3. Triad
then:
4. Pentatonic
only then perhaps:
5. Full seven-note scale.
Often you will never need level 5.