8124 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.94Mini-composition exercise
Write 32 bars centered around C.
Bars 1–8
C pedal + C major pentatonic.
Bars 9–16
same C pedal + D major pentatonic.
Bars 17–20
C minor pentatonic.
Bars 21–24
B♭ major pentatonic over C sus color.
Bars 25–28
G7alt with B♭ minor pentatonic.
Bars 29–32
C6/9, returning to C major pentatonic.
Requirements:
- one phrase with only two notes
- one 5-eighth repeating cell
- one pentatonic side-slip
- one pentatonic-derived chord voicing
- one common-tone transition
- one full-bar silence
- altered dominant followed by extremely simple tonic phrase
The five-note collections themselves should create the form.