BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
8124 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →

64.94Mini-composition exercise

Write 32 bars centered around C.

Bars 1–8

C pedal + C major pentatonic.

Bars 9–16

same C pedal + D major pentatonic.

Bars 17–20

C minor pentatonic.

Bars 21–24

B♭ major pentatonic over C sus color.

Bars 25–28

G7alt with B♭ minor pentatonic.

Bars 29–32

C6/9, returning to C major pentatonic.

Requirements:

  • one phrase with only two notes
  • one 5-eighth repeating cell
  • one pentatonic side-slip
  • one pentatonic-derived chord voicing
  • one common-tone transition
  • one full-bar silence
  • altered dominant followed by extremely simple tonic phrase

The five-note collections themselves should create the form.