8101 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.71Level 28 — dominant exception
When strong G7→C arrives:
you may deliberately abandon the previous pentatonic and switch to:
B♭ minor pentatonic for G altered.
Then C major pentatonic at tonic.
Now vocabulary change itself marks:
tension → release.