8052 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.22Level 6 — major pentatonic a whole step above a major tonic
Take D major pentatonic:
D E F♯ A B.
Put C in bass.
Functions over C:
D = 9 E = 3 F♯ = ♯11 A = 13 B = maj7.
This is almost a perfect:
Cmaj13♯11 color.
No C or G in RH.
Fantastic.