6875 / 18210 · Workshop 51 — “A Night in Tunisia”: Pedal Bass, Phrygian-Dominant Color, Afro-Latin Ostinato, Bebop Contrast, and Switching Musical Worlds Without Losing the Form← prev⊞ allnext →
51.60Reverse
A7→Dm happens while motif remains displaced.
Harmony resolves.
Rhythm doesn't.
Then later motif aligns.
Another two-stage release.
We should now be able to design these intentionally.