6849 / 18210 · Workshop 51 — “A Night in Tunisia”: Pedal Bass, Phrygian-Dominant Color, Afro-Latin Ostinato, Bebop Contrast, and Switching Musical Worlds Without Losing the Form← prev⊞ allnext →
51.34This creates an elegant transition
You can morph:
riff → variation → line
rather than:
riff stops / walking bass suddenly appears.
Good arrangement transitions often transform instead of cut.